![]() This is a full version of the program, so you’ll get hooked up with a complete set of features that enable you to tackle all kinds of projects. The next level up is the Ableton Live 11 Standard version, which will cost you 349. To see everything new in Live 11 Lite, visit the product page. Ableton Live 11 Standard Cost and Features. And with Tempo Following, Live listens to and adjusts its tempo based on incoming audio from another musician or other gear like drum machines in real time. You can now add up to 16 Scenes for more varied arrangements and space to experiment with ideas. ![]() The upgrades to the Live Core Library that came with Live 11 are now available for Live Lite, new sounds, drum kits, Racks, Grooves, loops and MIDI clips. Sounds and effectsįour effects – Chorus-Ensemble, Phaser-Flanger, Limiter, Saturator – bring a much wider range of sound shaping possibilities to Live Lite. MPE lets you add bends, slides and pressure for each individual note in a chord, add subtle expression variations, morph between chords and create evolving sonic textures more easily. Some of the new features include: MIDI Polyphonic Expression This new version adds new and updated devices, more sounds, a higher scene count and functionality that gives musicians a full music production palette. Owners of any previous version of Live Lite can upgrade for free. Live Lite is included in the purchase of a wide range of hardware products. Ableton shouldn't compete on price, but on offering one of the best DAWs on the planet.The latest version of Ableton Live 11 Lite is out now. That is so much more important than the price and I even have less money (at the moment anyway) than most and I still feel like that. ![]() I certainly think that Ableton could address a number of things to make their products more attractive. The way I see it what you are willing to pay for your tools also reflect how you value what you produce with these tools. It's not as if we can't keep making great music with Live 9. I view Live as a pro application and what I fear is that they will cater only to non-Pros and price accordingly gravitating towards zero.Īnyone can make a decision for themselves with these things. Look at what happened to Cakewalk (Bought and terminated). I'd rather pay $500 for the update and get a great DAW than pay as little as bleedin' possible and see Ableton pack it at some point. Well, as far as I am concerned I'm being realistic. Sional wrote:I do find it strange that some people defend Ableton's upgrade pricing for existing Suite owners. I'm not sure what upgrade offers Standard users get? If a person really aren't using anything unique to Suite, then why didn't this person already crossgrade down to Standard?Īt least Suite users get 20% off at this time. I betting on that Sampler - that I love in many ways - will not gain support for respecting loop points saved in library samples (not as Sampler presets), so I'm dropping it, mainly for that reason.įor various reasons I'll be ending up with Standard with Max For Live - too many great MIDI tools and audio effects - instead, but it's probably a good idea to really look over what you use if you are contemplating crossgrading down to Standard. Not everyone can appreciate the extra content in Suite, including the new unique packs for Live 10, but many people will find a few and that is in many cases sufficient as a motivator. If one loves one of these instruments and like Max For Live, then that's all you need to be at parity pricewise with the price of Suite, especially if you upgrade the price difference is like taking a couple of friends to the movies. All the Live synths are for getting something usable quickly in a sketchbook manner using a little less resources than more "deep" Instruments. Either one wants the new "small" features, like the editor features, that I really believe adds up, or one don't.įrom my view, I'd rather Ableton had announced a new Sampler with improved wavetable supporting functions - strictly speaking wavetables are already possible in Sampler - than the new Wavetable synth, but seriously if one appreciates Operator et al as they are now, probably you will grow to like this new synth as well. The new stuff in 10 is well known so no need for me to reiterate those points here. Right now a Cubase crossgrade costs less than this. So for having Suite since 8, it's overpriced and will have to wait for a reasonable discount. What exactly would they upgrade for Suite? The orchestra library is old, any improvements in Sampler? Operator? If there are no improvements in the Suite you are paying extra costs just to use those over again. Not very persuasive at all for a suite user.
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